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Greatest Underrated Guitar Players

When I Grow Up I Want To Play Guitar

Greatest Underrated Guitar Players

by: Kenny Auyoung

Ask anybody who the greatest guitar players in the history of rock music are, and you’ll likely get the standard answers. The big three, Clapton, Beck and Page; certainly Eddie Van Halen; maybe Stevie Ray Vaughn. The metal-heads will cite Randy Rhodes and George Lynch. These are all valid answers, but if you would put forth names like Elliot Easton and Andy Summers, you might be likely to get a blank stare in return. Too often great guitarists are overlooked simply because they lack the flash of a star like Eddie Van Halen or because they are part of a group that simply has an overabundance of talent and they tend to be moved to the background. Take Andy Summers, guitarist for the Police. Everybody knows who Sting is, and there is no doubt that he is tremendously talented, as is drummer Stewart Copeland. As part of that unit, however, Summers was often overlooked. What is so amazing about Andy Summers is not only his command of the instrument, but his overwhelming versatility. From ska to punk to reggae to straight ahead rock and roll, nothing is outside of his ability. His style has been described as minimalist, but that minimalism is a plus, and he is to be credited for not falling prey to his critics and trying to overplay to compensate for a lack of complex layers of sound. Below, in no particular order, I’ve listed some of my favorite underappreciated players, and the reasons why I consider them to be great.

Elliot Easton (The Cars): Elliot Easton is probably the greatest reason for the success of The Cars. Without Easton’s accessible rock guitar cutting through the synth driven Cars sound, they never would have found the mainstream acceptance that they did. Imagine the spacey pair of Ric Ocasik and Greg Hawkes playing over an equally new-wave influenced guitarist and you have a style of music that would not appeal to people on a large scale. Easton’s Buddy Hollyesque sound, however, served to make The Cars commercially viable. “My Best Friend’s Girl” from their debut album is an excellent example of how Easton’s contribution was essential in creating hit records for The Cars.

Warren DiMartini (Ratt): What impresses me most about DiMartini is that fact that despite being known as a speed demon who is content to throw a startling flurry of notes at the listener, is that he knows the value of a rest. Too many metal artists try to play as fast as possible, and DiMartini can keep up with the best of them, but I’m more taken with the fact that on songs like “Lay it Down”, “Wanted Man” and “Round and Round”, it’s DiMartini’s artful use of pauses and mutings to lend depth and character to what would otherwise be just another ripping metal tune.

Kathy Valentine (The Go-Go’s/solo): The Go-Go’s will never be known for stunning musicianship, but Kathy Valentine’s reputation suffered from being thrown together with a group of girls who were far less proficient in their playing. Not to say that the Go-Go’s were not any good. Their style of music was based on catchy beats and fun lyrics, so being technically perfect was not a requirement. Unfortunately, the fact that this was an easily exploitable fault that the critics could grab a hold of, the band was unfairly criticized for being “a bunch of girls who could barely play their instruments.” If they had bothered to check, they would have found the Valentine was actually an experienced and talented guitarist, making the switch to bass to fill the spot with the Go-Go’s. Actually, a casual listen will show that Valentine’s bass playing stands out more that Charlotte Caffey’s or Jane Wiedlin’s guitar work. At times it’s almost melodic. Since the Go-Go’s Valentine has gone solo, along with a side project called the Delpines. I would strongly urge you to check out Valentine’s appealing mix of rock and punk on her “Light Years” album.

Slash (Guns ‘N’ Roses/Velvet Revolver): Guns ‘N’ Roses now Velvet Revolver bassist Duff McKagan once claimed that Slash had “the fastest right hand I’ve ever seen.” While it may be argued that the left (fretting) hand is more important for a guitarist, after hearing Slash play, there can be no discounting the value of a fast right hand. “Sweet Child of Mine”, “Paradise City” and “Welcome to the Jungle” received more radio play, but to hear one of the best examples of Slash’s work, check out “Mr. Brownstone” on “Appetite for Destruction”.

Steve “Steamin” Clark (Def Leppard): It seems that all great artists have their demons and Steve Clark was no exception. Before alcohol claimed his life at too young an age, Steve Clark had built up a legacy of fine work that will live on. Steve’s gift was an ability to build spatial separation into his phrasing. It was almost as if he was playing in a huge empty amphitheater in which each note rang out perfectly and separately and yet, along with the complimentary work of bandmate Phil Colin, fit tightly together like pieces in a puzzle. The song “Love Bites” from the “Hysteria” album perfectly illustrates this point. Unlike previous member Pete Willis, Colin provided a perfect foil for Clark to play off of. Unfortunately, Def Leppard seemed to be associated more with the fact that drummer Rick Allen played with one arm, the result of a 1984 auto accident, taking some of the attention away from the fact that Clark’s playing made Def Leppard one of the finest pop metal bands of the 80’s.

Howard Leese (Heart): Fated to share the stage with two of the most beautiful and talented women of the rock era, Howard Leese continued to lend his creative talents to Heart long after its other founding members had departed. It was Nancy with her beautiful blond tresses that stole the spotlight, but it was Howard’s guitar that powered the group. Secure in the knowledge that he was a key component in Heart’s driving guitar based sound, he was never bitter about the fact that his name was only recognizable amongst true fans of the group. Listen to “Barracuda” or “Magic Man” or “Even it Up” and you are instantly struck by the inherent “coolness” of the opening riffs, and his mastery of harmonic overtones is second to none.

Mick Mars (Motley Crüe): Mostly thought of as a fair to middling heavy metal guitarist, Mick Mars phrasing is perfect for the Crüe’s sound. Chunky, dirty and staccato at times, it still manages to be melodic. Upstaged by Vince Neil, Nikki Sixx and Tommy Lee and their bad-boy images, Mick stays cool and aloof behind his powerful music. Despite the darkness inherent in some of their tunes, you cannot fail to be uplifted by Mick Mars’ musical skills.

Really there are so many worthy players that I could go on and on, but this is just a listing of those few that have bugging me for years. It’s true that people have their own tastes, and for some, these guys wouldn’t even make the top 10, but it makes me feel better to have my sentiments known. If I’m lucky there may be a few of you out there – just a few – who will say, “Man, I’ve been saying for years that he (or she) has never got enough credit.”

About The Author
Kenny Auyoung: Webmaster @ GetMeABand.com - Looking for a band? Search through thousands of musician’s profiles to find the right band members in your local area. Find musicians, start a band, and play music - http://www.getmeaband.com.

When I Grow Up I Want To Play Guitar

by: Mike Hayes

The secret to becoming a really good guitar player is, start playing and never stop. It really IS that simple!

Many people say "Gee you know, I've always wanted to play guitar, or I'd like to play guitar but I don't think I'll be very good at it".

You know if you really want to play guitar, just start. Don't listen to all the advice of all the people around you.

Now, here's a little story I'm sure many of you will be able to relate to. It's a story about Paddy - a guy who knew what he wanted to do and followed his heart.

When Paddy was in grade five at school, the teacher asked the class "What do you want to be when you grow up?". She would ask each member of the class.

"What do you want to be when you grow up, Jimmy? "

Jimmy would say. "A doctor miss".

"Oh that's very good choice Jimmy, that's great".

"What do you want to be when you grow up, Mary?"

"I'm going to be an accountant miss"

"Excellent choice, very good choice"

Now when it came to Paddy, she asked.

" What do you want to be when you grow up, Paddy?"

Paddy replied, "a guitar player".

The whole class errupted in laughter. The whole class .... it was just amazing. Paddy wasn't expecting this reaction. He had no idea why this was happening . Paddy hadn't started to play guitar or anything yet, but that's really what he wanted to do.

So the teacher asked again.

"What do you really want to do when you grow up, Paddy?"

Paddy said, "play guitar".

And the same thing only louder, everybody laughed. Paddy just couldn't work out why they had this reaction. So he sat down red faced and quite puzzled trying to work this out.

Anyway, a year later, the teacher asked the class, "what do you want to be when you grow up". When it came to Paddy's turn, the teacher said.

"Now Paddy, what do you want to be when you grow up?"

So Paddy stood up, he wasn't as confident this time as he was the previous year, but he said.

"A guitar player".

And the same thing, the whole class erupted. Paddy looked around for support from the teacher but.... she was kind of buckled up in pain trying to hold back the laughter. And so anyway he got to thinking that maybe he wasn't giving them the answer they want.

So the next year, he was prepared for it. Paddy thought, right, I've got the hang of this now. So when it came around to his turn again, she asked.

"Now Paddy"...... and of course the class is just waiting for his answer.

"Now Paddy, what are you going to do when you grow up? What do you want be?"

this time, he said............"a swimmer".

And the whole class laughed AGAIN!. By this time he was REALLY angry ... he looked down to his, (now) ex -friend , who was sitting pretty close to him and Paddy asked....

"What's SO funny about that?"

The guy just looked up and said...

"But you CAN'T swim!"

Paddy exclaimed, " does that matter?"

He just couldn't really get the hang of this. Of course the thing was Paddy really wasn't giving them the stock standard answer that they wanted. Like a doctor or a dentist or something like that. But that's really what Paddy wanted to do and the reality is that all he's ever really done.

Now the reason why I'm telling you this is because the formula to become a really good guitar player is quite simple. There's only two steps.

Decide to do it. Do it.

Now, along the way you'll need a properly set up guitar. You'll need your equipment to be easy to play. And you'll need top quality information. But the most important thing is you need to be internally motivated. That's if you want to be really good. If you are internally motivated that means you REALLY want to play guitar, that's what you want to do. There's really nothing that can stop you.

So until next time have fun with your guitar playing and if that's what you want to do, just go for it!

About The Author
Mike Hayes is a guitar teacher, author, performing musician and session guitarist with over 30 years of professional experience. Mike's methods are legendary and have earned the praise of top authorities in guitar instruction. He reveals his guitar secrets at http://www.GuitarCoaching.com.