Beginner Guitar Chords
CONTENTS:
Beginner On Guitar? Learn These Ten Chords!
How To Play Three Chord Songs On Guitar
Beginner On Guitar?
Learn These Ten Chords!
by: Joey Robichaux
It's a combination that just doesn't mix, but it always happens.
Start with 1 part enthusiastic beginning guitar player, 1 part
beautiful new guitar, and 1 part
confusing "Learn guitar" chord book. The result is
rarely pretty -- it usually results in 1 confused and frustrated
not-so-enthusiastic-anymore guitar player!
A "chord" is simply a mixture of notes played at
the same time. You finger certain positions, then strum the
strings; what results is a chord.
Most chord books are technically correct -- they do show you
finger positions for loads and loads of chords. However, they're
often functionally deficient -- they show you chords, but don't
show you which ones are important and why!
Rather than trying to learn hundreds of chords in order, it
makes more sense to learn the most important chords in the right
combination. I think that if you concentrate on learning just
10 chords -- in combinations of two or three at a time -- you'll
jump-start your guitar-playing career and have fun from the
very beginning.
Let's start and see how easy it is!
The First Three
We'll still use your guitar chord book; you'll look up the
chords we mention to learn how to finger them. We just won't
learn the chords in the order presented in your book
The first three chords you want to learn are: G, C, and D.
These may be called G Major, C Major, and D Major in your chord
book. These chords are important for several reasons.
First, they form the famous "I-IV-V" Chord sequence,
sometimes called a "3 Chord Progression". Once you
learn to listen, you'll realize that probably 90% of all music
uses this progression (rock, country, blues, soul, even classical!).
Next, this particular "key" (key of G) is used in
a lot of popular music, especially country. This means you can
"play along" with songs and you'll be in the same
key, or pitch.
These three chords happen to use a lot of "open"
strings -- strings on which you do NOT place your fingers. Open
string chords "ring" in a most pleasing manner and
generally sound richer than non-open string chords.
This key fits well with instruments such as violins, banjo's,
and mandolins -- that's another reason it's common in country
music.
Finally, this particular key is one that most people find very
easy to sing in. It's not too high, not too low -- just right.
Play these chords in different combinations; try and become
adept in switching between chords (especially between the G
and the C). You'll quickly recognize the "I-IV-V"
signature. For instance, "Louie Louie" would be "GGG
CC DDD CC". Most country tunes would be something like
"GGGG GGGG CCCC GGGG DDDD CCCC GGGG". As you become
familiar with the pattern, you'll start recognizing different
combinations ... maybe something like "DDD CCC GGG GGG".
The Second Three
Our next three chords are: A, D, and E. However, since we already
know how to play a D, we're really only learning two new chords.
These three chords are also a "I-IV-V" chord sequence
-- just in a slightly higher key, or pitch. You can play the
same songs you might play with the G-C-D combo ... they'd just
be a little higher. It's more common to find the A-D-E combination
in rock music than in country.
The Third Three
Another "I-IV-V" progression -- this time, it's C,
F, and G. Since we already know C and G, we really only have
to learn one new chord -- F.
This key is about half-way through the scale from G. That means
you can sing either higher or lower to be in the proper pitch.
You'll also probably note that F doesn't "ring" as
richly as the other chords you've learned -- because it doesn't
have as many open strings. You'll probably find it the most
difficult to play of all you've learned so far.
It's worth it to spend time to get the "F" chord
right. It will really pay off further down the road when you
begin learning chords in different positions on the neck of
the guitar.
Another Three
This time we need E, A, and B. We already know E and A -- we
just need to add the B. This does present a problem, though.
B is not an easy chord to play in first position. The easiest
way to play a B in this position on the neck is with a "bar
chord" -- however, beginning guitar plays are usually not
quite ready to play bars at first.
A good compromise is to learn the B7 chord in the open position
instead. If you count the string closest to you as "1"
(the fattest string) and the string furthest from you as "6"
(the skinniest string), then the fingering would be: 1-open,
2-second fret, 3-first fret, 4-second fret, 5-open, 6-second
fret. By the way, early Beatles music uses this particular chord
quite a bit.
The E, A, B (or B7) combination is another "I-IV-V"
progression. Why it's important is because this key is very
often used in rock-and-roll music. Don't know quite why -- it's
not a great natural key for guitar (because of the B issue),
it's not the easiest to sing in, and it doesn't mix well with
instruments other than an organ -- but it seems to have become
standard!
The Final Three
We've now learned seven chords -- G, C, D, A, E, F, and B7.
It's time to slip in the last three. These will be "minor"
chords.
The three chords are A Minor, E Minor, and D Minor. These are
also written as Am, Em, and Dm. You won't necessarily play these
three chords together -- although if you did, you'd have a great
blues progression. Play the A, D, and E progression -- then
play the same thing, but use Am, Dm, and Em instead. Yep, that's
the "blues", alright.
You'll probably use the Am and Em the most. The Am fits well
with the C, F, and G combination. Use it like "C, Am, F,
G". (Think of that little piano ditty, "Heart and
Soul" -- remember Tom Hanks dancing on the Keyboard in
"Big"?) This combination works well in both slow and
fast tempos.
The Em fits well with G, C, and D -- the order would be "G,
Em, C, D". This is the same progression as the last, just
again in a different key.
This particular combination (addinging the minor with the I-IV-V
chords) is called a "I-iii-IV-V" progression.
What's Next
There's a lot you can do with just these ten chords. Playing
the normal "I-IV-V" and "I-iii-IV-V" progressions
in different keys will serve most singers and will cover many
of your favorite tunes. You'll also find other progressions
with these same chords -- for instance, try A, D, G, C and see
what happens.
What chords should you add next? Well, you might want to add
the 7th to some of these -- for example, G7, C7, D7, A7, E7.
Next, you'll want to start exploring different positions on
the guitar neck -- which probably means bar chords. I'd learn
the B bar chord with your finger across the entire second fret
first. Once you master this, just slide your hand one fret lower
-- and you'll have a B-flat chord -- which fits in between your
F and C to give you another "I-IV-V" progression in
a new key!
Still, no matter how far you go and how many chords you master,
the odds are quite high that you'll find yourself most often
using these basic Top Ten favorites!
About The Author
Joey Robichaux rides the Road Warrior circuit; he also maintains
"Free Sheet Music" at http://www.freesheetmusic.net,
one of the longest running free sheet music websites on the
internet.
How To Play Three Chord Songs
On Guitar
by: Mike Hayes
Sooner or later you are going to take your guitar along to a
casual sing-a-long type jam and hope that someone will start singing
in the only key you know.
Or perhaps you'll be playing along, converting the chords you
know, quite well until someone pulls the plug out by saying, "Do
it in A flat". This is followed by an embarrasing five minutes
while you struggle to find chord changes in this unfamiliar tonality.
It happens to everyone, so read through to the chart at the end
of this article and let a little light in.
There are twelve major keys. Each one has a minor key closely
associated with it - this is called the relative minor.
Each key (major or minor) has the same basic relationships.
Any melody or chord progression can be played in all twelve keys.
this was not always so. Earlier European music systems utilized
modes that did not have this quality.
The introduction of the piano around 1720 helped consolidate
this "one Key relationship transposable to twelve different
levels" as the system best suited to the needs of Central
European musicians.
The name given to it is:-
The diatonic system or tonal system
The name simply refers to the fact that all notes and chords
constantly resolve back to one Key point - the tonal centre or
footnote of the scale.
There is a key for every note, but 99% of folk or song accompaniment
on guitar takes place in six of these -
C, D, E, F, G or A.
In each of these keys there are three chords which will almost
invaribly be used. In the Key of C the most likely chords you
will encounter are :-
C F G7
In order, these chords are called in musical terminology -
C - the tonic, F - the subdominant, G7- the dominant
In the diatonic scale
C D E F G A B C
the TONIC is the chord built on the 1st degree (C)
the SUBDOMINANT is the chord built on the 4th degree (F)
the DOMINANT is the chord built on the 5th degree (G7)
A simple way to find the three principle chords of any Key is
to begin counting a specific number up from the tonic of the Key
chord.
e.g., In the key of C the tonic is the C chord.
Then by counting up four full notes from the tonic chord, C D,
E then F you arrive at the subdominant of the C Key.
To find the dominant simply move up to the next scale note (G),
or count five full notes up from the tonic chord.
C, D, E, F then G
Dominant chords are usually sevenths - so now you know the whereabouts
of the three main chords in the Key of C.
Of course these three chords are not necessarily the only chords
used in songs but merely serve as guidelines in finding all the
chords of a tune. However thousands of folk songs and pop tunes
are playable with these three.
Here is a chart of the 3 main chords in each Key.
Tonic (key) - Subdominant - Dominant
Tonic - C, Subdominant - F, Dominant - G7
Tonic - F, Subdominant - Bb, Dominant - C7
Tonic - Bb, Subdominant - Eb, Dominant - F7
Tonic - Eb, Subdominant - Ab, Dominant - Bb7
Tonic - Ab, Subdominant - Db, Dominant - Eb7
Tonic - Db, Subdominant - Gb, Dominant - Ab7
Tonic - Gb, Subdominant - Cb (or B), Dominant - Db7
Tonic - B, Subdominant - E , Dominant - F#7
Tonic - E, Subdominant - A, Dominant - B7
Tonic - A , Subdominant - D, Dominant - E7
Tonic - D, Subdominant - G, Dominant - A7
Tonic - G, Subdominant - C, Dominant - D7
About The Author
Mike Hayes is a guitar teacher, author, performing musician and
session guitarist with over 30 years of professional experience.
Mike's methods are legendary and have earned the praise of top
authorities in guitar instruction. He reveals his guitar secrets
at http://www.GuitarCoaching.com.